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Even to Win Is to Fail

by Glenn Jones

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about

Glenn Jones, a 30+ year devotee of the so-called “American Primitive” school of acoustic steel string guitarists, has been playing guitar since the age of 14. He formed Boston pysch-rock band, Cul de Sac, in 1989 and led it on its 20 year journey to nowhere, leaving nine albums in its wake, including collaborations with guitarist John Fahey and Can’s Damo Suzuki.

Jones released This Is The Wind That Blows It Out, his first album of acoustic 6- and 12-string guitar instrumentals in 2004, and followed it with Against Which The Sea Continually Beats (2007) and Barbecue Bob In Fishtown (2009). All three albums were released on the Strange Attractors Audio House label.

Jones has written extensively about the leading lights of the American Primitive guitar style, namely John Fahey (with whom he was friends for nearly 25 years), and Robbie Basho (Jones was friends with the guitarist until his untimely death in 1986, and hosted Basho’s final tour of the East Coast). Jones was also close friends with Jack Rose and they toured together in the U.S., Canada, Europe and UK. Jones guests on several of Jack’s albums, including Luck in the Valley. The Things That We Used to Do, a DVD featuring hour-long solo sets from each artist, and a pair of duets, was issued in April 2010 for the Strange Attractors label.

Jones has also performed with Peter Lang, Steffen Basho-Junghans, Cian Nugent, James Blackshaw, Paul Metzger, Peter Walker, Meg Baird, Harris Newman, Sean Smith, MV + EE, Dredd Foole, Tom Carter, and many others.

Jones recorded Even to Win Is to Fail exclusively for this release and will follow it with a full length album on Thrill Jockey later this year.

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released April 16, 2011

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Glenn Jones Boston, Massachusetts

Glenn Jones is a master of American Primitive Guitar, a style invented in the late 1950s by John Fahey. Jones, who led the post-rock ensemble Cul de Sac, brings his own made-up tunings, the use of custom-crafted partial capos, and a highly skilled picking style on both banjo and guitar, to create personal compositions that are lyrical, emotive and elegant. ... more

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